I don’t recall ever hearing such noticeably tepid applause
as I experienced last night at New York City Center following the performance of
Ava: The Secret Conversations. This is especially significant because the
star of the show, and its playwright, is Hollywood darling Elizabeth
McGovern.
This is obviously a passion project for the long-time Lady
Cora of “Downton Abbey” fame. When the
original playwright dropped out, she decided to pen the script herself. This seems to have blinded her to how
thoroughly unlikeable she was making the characterization of the 1950s and 60s
film legend Ava Gardner. Eighty-five
minutes of watching and listening to that vulgar, profanity-spewing person was
miserable. I saw the woman next to me
look at her watch three times.
McGovern based her script on the book The Secret
Conversations by British journalist Peter Evans and Gardner. Directed by Moritz Von Stuelpnagel, it is
set in 1988 when Gardner is recovering from a stroke in her sumptuous London
flat. (Scenic design by David Meyer.) It’s more about Gardner’s three disastrous marriages
– to Mickey Rooney, Artie Shaw and Frank Sinatra – than the woman herself. Her relationship with the physically and
emotionally abusive Howard Hughes is also highlighted. All of these famous folks are pictured in
projections by Alex Basco Koch and portrayed by Aaron Costa Ganis who is also
onstage as Evans interviewing Gardner. His
accent goes from believable English to the kind of exaggerated English we use
when pretending we are British. It also
sounds American at times and I’m sure I heard some Brooklyn in there as well.
McGovern, looking slim and striking in Toni-Leslie James’
Hollywood glam costumes, also hams it up, making Gardner a caricature.
Gardner died at 67 in 1990, the year her cleaned-up version
of her life appeared as Ava: My Story.
Evans later gained the rights to his notes and tapes for his book, which
was published after his death in 2013.
Ava: The Secret Conversations premiered in London, where McGovern has lived for decades, in 2022 and had a run at the Geffen Playhouse in Los Angeles the following year. After New York it is scheduled for Chicago and Toronto.
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