Friday, November 12, 2010

To Kill a Mockingbird's spiritual lessons


I wrote this feature for the Nov. 14, 2010 issue of The Living Church magazine.

Matt Litton grew up in an evangelical family of educators, giving him an early familiarity with both The Good Book and good books. In that latter category, one in particular, To Kill a Mockingbird, captured his heart when he discovered it at about age 12.

The novel’s messages of compassion and the importance of caring for our neighbors continue to resonate for him. Now 38, Litton teaches To Kill a Mockingbird at Mariemont High School in Cincinnati. In revisiting Harper Lee’s 1960 novel of racism and family life in the American South each year, he began hearing the word of God though the characters and themes.

After a couple of years of mulling over the biblical messages, he sat down and wrote a comparison of God and Boo Radley, the mysterious young man who lives hidden away from his neighbors in the tiny Alabama town of Maycomb. From there he crafted parables of other characters, as well as themes such as religious hypocrisy and the role of women in faith. The result is the creative and inspiring new book The Mockingbird Parables.

To Kill a Mockingbird is so familiar and a part of our culture,” he said one morning during a phone interview from his school. “It’s the most widely read book in secondary schools; more than a million copies are sold each year. It’s a story we’re all familiar with, but it also contains some gospel in it.”

He said he had no feelings of presumptuousness in taking on such a revered classic in his own book.

“It’s not literary criticism. It’s not intended that way. The themes, the characters speak into how we should live our faith out. It’s not meant to be academic. The Mockingbird Parables is a front porch conversation. I saw in To Kill a Mockingbird an opportunity to talk about our connection to each other. Loving God is easy. Loving our neighbor is challenging.”

Still, he didn’t send a copy to Ms. Lee.

“I know she’s reclusive,” he said. “I would love it if she would read it, but I want to be as respectful of her as I can. She wrote the book and that’s enough. She doesn’t owe anybody anything. The Mockingbird Parables is how an American story spoke to me in a kind of faith conversation.”

The novel’s appeal over a half century, Litton says, is that it presents so many different messages -- lessons in how to handle finances in hard times, of compassion, of courage.

“No matter the time period, it’s so rich. We’re eternally struggling with compassion and seeing the world through other people’s perspective. It’s why it continues to be so relevant.”

He hopes in his book readers will hear the gospel’s call to put compassion into action, encouraging them “to walk out your front doors and endeavor to truly know and love each other.”



The Parable of Boo Radley: Discovering Our Divine Mysterious Neighbor.

The 10 parables Litton has developed reflect deep insight into the novel’s characters and knowledge of scripture and the Christian faith. He clearly loves all three. Here are selections from one parable.


Like God, Boo is mysterious. “’Who is Boo Radley?’ may be one of the most haunting questions in the history of American literature,” Litton writes, likening it to our desire to know God.

“’Who is Boo Radley?’ eloquently mirrors the question that underlies our very existence, that should ignite our imaginations and stir us with passion on our spiritual journeys,” Litton writes. “The persistence with which we ask this question defines the vitality of our faith in God.”

In this parable Litton, like the novel’s three children, Scout, Jem and Dill, looks for an answer to that question, making a case for Boo as a loving God looking out for his children. That God is available for all, but too often people are content to label God without seeking to know God, just as the the townsfolk of Maycomb have done with Boo. But the children “are spellbound” by the question of who Boo is and “it is their persistence that ultimately drives Boo into their lives.”

“The children provide a wonderful model of how we should pursue God,” Litton writes. “The children’s act of seeking Boo Radley represents the quintessence of what it means to be people of faith. . . . Scout, Jem and Dill are constantly grappling for answers about Boo that reach beyond the shallow explanations of the detached and impartial town elders.

“The children know Boo is there, but are still seeking, and it is their inquisitiveness that drives them toward relationship with him. It is the wrestling or, more clearly articulated, the seeking that defines a vigorous and burning faith.”

This seeking goes both ways. “Boo Radley is pursuing a relationship with the children, much as God has been chasing after us since . . . well, since the beginning of time.” Boo hides gifts for the children in the knothole of the tree, gifts that “fit the everydayness of the children’s lives, and places them where they will notice -- meeting them where they are.

“I find that God works the same way. When we take the time to observe the day a little more like children do, with a little more inquisitiveness, we begin to see the gifts that God leaves for us in the midst of our routines.”

In the climatic scene at the end, Boo moves from the children’s imaginations into their reality, emerging from his house to save their lives from the drunken assailant who seeks to harm them. This, Litton maintains, reflects a God who still intervenes in the world.

The story ends with Scout and Boo walking hand in hand back to his house. “As she stands at Boo’s front porch, she notices that his view of the neighborhood is completely different from any she has seen. She realizes that from the Radley porch, Boo has a clear view of the ‘entire neighborhood’ -- not just one house. Every place the children frequent -- from Miss Maudie’s yard to their own front porch -- is in sight of Boo’s window. It provides a sobering reminder to us that God’s perspective on our lives is eternal and infinitely broader than our own.

“From the Radley porch, Scout understands not only that Boo’s view of the world is much different than her own, but that he has been vigilantly watching over ‘his children’ season after season.”

Wednesday, November 10, 2010

AN ATHEIST IN THE WOODS


 An atheist was walking through the woods. “What majestic trees! What powerful rivers! What beautiful animals,” he said to himself.

Suddenly, he heard a rustling in the bushes behind him. He turned to look and saw a 7-foot grizzly bear charge toward him. He ran as fast as he could along the path. He looked over his shoulder and saw that bear was closing on him.

He looked over his shoulder again, and the bear was even closer .... and then ..... he tripped and fell.

Rolling over to pick himself up, he found the bear was right on top of him, reaching toward him with its left paw and raising the right paw to strike.

At that instant the atheist cried out, ”Oh my God!”

Time stopped. 
The bear froze.
The forest was silent.

A bright light shone upon the man, and a voice came out of the sky, "You deny my existence for all these years, you teach others I don't exist and even credit creation to cosmic accident. Do you expect me to help you out of this predicament? Am I to count you as a believer?"

The atheist looked directly into the light. "It would be hypocritical of me to suddenly ask you to treat me as a Christian now, but perhaps you could make the BEAR a Christian?"

A pause.

"Very well," said the voice.

The light went out. The sounds of the forest resumed. And the bear dropped his right arm, brought both paws together, bowed his head and spoke ...  

"Lord, bless this food, which I am about to receive.”

Tuesday, November 9, 2010


"Pain is inevitable, but misery is optional. We cannot avoid pain, but we can avoid joy."
-- Tim Hansel

Sunday, November 7, 2010

Quest of the Sleeping Princess


Congratulations to my friend Mary Sheeran on the publication of her second novel, Quest of the Sleeping Princess. Mary’s storytelling gifts are once again on display, this time taking us into the world of the New York City Ballet, the lives of some of its dancers and a young writer whose life intersects with theirs.

As she did in her first novel, Who Have the Power, Mary once again gives us a strong woman character, Susan McFadden, a writer navigating the tumultuous waters of relationships and career in New York City. The sensibility is strongly New York, which I loved.

I also was fascinated by how Mary wove the ballets in as parallel stories. She’s a great lover of George Balanchine and shares her vast knowledge in a way that unfolds naturally with the narrative.

Look for Mary’s book, fresh on the market this month, and read her ballet reviews on my blog. Way to go, Mary!

For more information, see the book's website at www.questofthesleepingprincess.com. When you go there, you can investigate the lives of George Balanchine and the work of Joseph Campbell and Northrop Frye, as well as watch ballets and/or listen to music.

There are two banners that contain ballet clips, "Tonight's Performance" and "Resources." The first contains ballet clips, music clips, and photos from ballets featured in the novel. The second contains source material and websites of authors featured in the novel and clips from ballets mentioned, such as Swan Lake, Giselle, and, of course, Sleeping Beauty.

The site also features essay on Balanchine and The Sleeping Beauty from the novel and some information on lung cancer, as it does figure in the storyline. November is lung cancer awareness month.

Quest of the Sleeping Princess is a different kind of book from Who Have the Power (not so violent! fewer pages!), but it still celebrates life in the arts and the imagination.


Praise for Quest of the Sleeping Princess:

"Sheeran explores a woman's fascination with the ballet world with a most interesting voyeuristic subplot...The book is impressive in its research into the artistic process, George Balanchine, the image of women in folklore and dance, and the sleeping princess as a motif...and it succeeds." -- Kirkus Reviews

"..intensely spiritual and remarkably feminist..." --  Ariel's Time

"It was wonderful to share these meditations on the Balanchine repertory and Mary Sheeran’s passionate insistence that the ballets belong as much to the audience that reveres them as to those who produce and perform them."
—Lynn Garafola, author of Diaghilev’s Ballets Russes and Legacies of Twentieth-Century Dance

Friday, November 5, 2010

Shakespeare's Globe 2011 Season Will Mark 400th Anniversary of King James Bible


This article by Mark Shenton appears on Playbill.com.

Shakespeare's Globe will celebrate the 400th anniversary of the King James Bible, completed in 1611, as part of its "The Word is God" 2011 season. It will launch with a cover-to-cover reading of the Bible, and also feature a small-scale touring production of Hamlet, affording an opportunity for audiences to experience the two foundation stones of the modern English language back-to-back.

The main new Shakespeare productions of the season will be All's Well That Ends Well, never before seen at the Globe, and Much Ado About Nothing. The theatre will also present its first-ever production of Marlowe's Doctor Faustus, as well as The Globe Mysteries, offering a fresh perspective on the Mystery Plays.

The theatre will also revive its production of Howard Brenton's Anne Boleyn, and premiere Chris Hannan's The God of Soho, which is described in press materials as a wild satire on modern living, set in contemporary suburban England.

Prior to the 2011 summer season, Shakespeare's Globe will present Winter Wassail in January – four special performances from the Gabrieli Consort & Players in a musical celebration of the New Year that will include seasonal pieces inspired by words from Shakespeare, Hardy and Chaucer, with selected readings.

Public booking for the summer season opens Feb. 14, 2011. To book tickets, contact the box office on 020 7401 9919 or visit www.shakespearesglobe.com.

Thursday, November 4, 2010

Visiting with Edward Herrmann


I had a lovely day yesterday. I took the train up to New Haven to join my friend Lauren Yarger for Edward Albee’s A Delicate Balance at Yale Rep. Fortunately it was a gorgeous day (unlike rainy old today).

The nearly two-hour ride up gave me a chance to appreciate the colorful countryside and read another great book from my friend Angela, Bruce Watson’s Freedom Summer. Lauren picked me up at Union Station and we drove around the scenic one way streets trying to get to the Rep. (With all the single direction streets and roadwork, New Haven is a driver’s nightmare.)

I had been to the university before but never to the theatre. What a great space -- a former church, the perfect place for the sacred ritual of theatre. I went to see Edward Herrmann, whom I met in 2002 when I interviewed him for my book Working on the Inside: The Spiritual Life Through the Eyes of Actors. I’ve never been an Albee fan and the three long hours of Balance did nothing to change my opinion (I’m tried of alcoholic dysfunctional families. I know them too well!), but it was great to catch up with Ed after the show.

In my book, I quoted Paul Baker, founder and former managing director of the Dallas Theater Center, describing Ed as “always very intense and pleasant, with excellent manners” and “always in a good temper.” That has certainly been my experience. Ed has taken part in two Broadway Blessings, even though he has a two-hour drive each way from his home in Salisbury, CT. Afterwards he always sends me a note thanking me for all I do for the community. I hadn’t seen him since his fabulous portrayal of all the characters in Act II of Our Town at Broadway Blessing 2006. He greeted me warmly and we had a nice chat backstage, then he headed out to get a sandwich before taking a nap to rest up for the evening performance.

Lauren and I crossed the street to Bangkok Gardens for our own Thai meal, then she dropped me back at the train station and I headed home. I even brought back a doggie bag so I can have that delicious dinner again tonight before journeying out to The Scottsboro Boys. Life is good!

Monday, November 1, 2010

All Saints Day


"It is not weakness or failure that will exclude us from the communion of saints; the danger of exclusion comes only when we refuse to enter into the fray of human existence, when we stop taking the risk of feeling poverty, sorrow, injustice, or persecution for God’s sake and for love’s sake."
-- All Saints Day reflection by a Trappist monk